Photography as Life
This book is brilliant! Lillian Preston is a photographer during the 1960's and 70's, and Samantha is both her daughter and the subject of a series of highly controversial photos. The book is told from Samantha's perspective after Lillian's death, in an epistolary manner. Most of the book is framed as a catalogue for a MOMA show of Lillian's work, with each piece titled, dated, and interpreted. Additional exposition is contained in Lillian's diary entries, letters to a life-long friend, and other documents. While this sounds as though it might be jarring, Goldberg masterfully weaves Samantha's coming of age, Lillian's struggles with social and economic mores, a sense of the societal changes taking place in the 60's and 70's, and the relationship between Lillian and Samantha into these individual documents. The use of the photographic catalogue is so well done that it's almost impossible to believe that these photos do not actually exist o...